Triennal Martin Sermat 5/27/22 Triennal Martin Sermat 5/27/22 PREPARATION OF ANALOGUE FILM FOR DIGITIZATION Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 EXAMPLES OF THE USE OF UV-ELECTROMAGNETIC RADIATION TO STUDY SELECTED PAINTINGS AT THE ART MUSEUM OF ESTONIA Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 AUTOPSY OF CONTEMPORARY ART ON CONSERVATOR’S TABLE Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF 19TH CENTURY BOTANICAL TEACHING AIDS AT THE UNIVERSITY OF TARTU Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 SALVAGING AND CONSERVATION OF FIRE-DAMAGED PRAYER BOOKS OF PIIRISSAARE OLD BELIEVERS CONGREGATION Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 WHEN PLASTER NEEDS A PLASTER CAST. RECOVERING OF BROKEN PLASTER LIMBS Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CLIENT: MUSEUM VERSUS PRIVATE CONTRACT Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING ESTONIAN DECLARATION OF INDEPENDENCE IN VILJANDI ON FEBRUARY 24 1918 Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 ADHESIVE BASED SUPPORT AS AN ALTERNATIVE METHOD FOR FRAGILE TEXTILES MEANT TO BE DISPLAYED HANGING Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF TRAVELCHEST Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 POLYCHROME EPITAPH COAT OF ARMS OF THE VON MOHRENSCHILDT FAMILY Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 LAYERS OF HERITAGE ON SHELVES, ALL VISIBLE FOR A VISITOR. CASE STUDY OF ESTONIAN NATIONAL MUSEUM’S FACULTY IN HEIMTALI Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 DIGITISING GLASS NEGATIVES AT THE SA EVM CONSERVATION AND DIGITISATION CENTRE KANUT IN 2005-2016 Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAINTAIN THE TRANSIENT: THE ART OF COLLABORATION AND THE SECRETS OF PHOTOCOPIES Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF A BAROQUE-STYLE CUPBOARD Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAKE THICK LIMP-BINDING COVERS USING TEMPORAL CARDBOARD MOULD: ON EXAMPLE OF 16TH-CENTURY MANUSCRIPT FROM KULLAMAA (WEST ESTONIA) Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING MEETING ON 21.06.1940 (BY A. JEGOROV, 120 X 103 CM) Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF AN EMPIRE-STYLE TABLE Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 ROMAN IRON AGE HOARD FROM VIRUMAA Read More Martin Sermat 5/27/22 Martin Sermat 5/27/22 RIGA CASTLE: THE RESTORATION PUZZLE RESOLVED Read More Older Posts
Triennal Martin Sermat 5/27/22 Triennal Martin Sermat 5/27/22 PREPARATION OF ANALOGUE FILM FOR DIGITIZATION Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 EXAMPLES OF THE USE OF UV-ELECTROMAGNETIC RADIATION TO STUDY SELECTED PAINTINGS AT THE ART MUSEUM OF ESTONIA Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 AUTOPSY OF CONTEMPORARY ART ON CONSERVATOR’S TABLE Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF 19TH CENTURY BOTANICAL TEACHING AIDS AT THE UNIVERSITY OF TARTU Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 SALVAGING AND CONSERVATION OF FIRE-DAMAGED PRAYER BOOKS OF PIIRISSAARE OLD BELIEVERS CONGREGATION Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 WHEN PLASTER NEEDS A PLASTER CAST. RECOVERING OF BROKEN PLASTER LIMBS Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING ESTONIAN DECLARATION OF INDEPENDENCE IN VILJANDI ON FEBRUARY 24 1918 Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 ADHESIVE BASED SUPPORT AS AN ALTERNATIVE METHOD FOR FRAGILE TEXTILES MEANT TO BE DISPLAYED HANGING Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 POLYCHROME EPITAPH COAT OF ARMS OF THE VON MOHRENSCHILDT FAMILY Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 LAYERS OF HERITAGE ON SHELVES, ALL VISIBLE FOR A VISITOR. CASE STUDY OF ESTONIAN NATIONAL MUSEUM’S FACULTY IN HEIMTALI Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 DIGITISING GLASS NEGATIVES AT THE SA EVM CONSERVATION AND DIGITISATION CENTRE KANUT IN 2005-2016 Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAINTAIN THE TRANSIENT: THE ART OF COLLABORATION AND THE SECRETS OF PHOTOCOPIES Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 HOW TO MAKE THICK LIMP-BINDING COVERS USING TEMPORAL CARDBOARD MOULD: ON EXAMPLE OF 16TH-CENTURY MANUSCRIPT FROM KULLAMAA (WEST ESTONIA) Read More
Martin Sermat 5/27/22 Martin Sermat 5/27/22 CONSERVATION OF THE PAINTING MEETING ON 21.06.1940 (BY A. JEGOROV, 120 X 103 CM) Read More
